|Topping the charts with their first single in America, England's Escape Club was hardly an overnight sensation, having been together for five years before their breakthrough. The group formed from the remnants of two groups, The Espressos and Mad Shadows, which had both been gaining momentum in London clubs before suffering personnel changes. Lead singer Trevor Steel and lead guitarist John Holliday were members of Mad Shadows, but when their drummer left, Espressos' drummer Milan Zekavica was invited to join.
By 1983, bass player Johnnie Christo had also been recruited by Mad Shadows and the group, now going by Escape Club, began to play out. They soon released a single, "Breathing," through a small independent label, but it did little. As a live act, though, the growing popularity live led to a deal with EMI.
Their debut album, White Fields, was recorded with noted producer Scott Litt, but, despite garnering slots supporting tours with China Crisis and The Alarm, the band again failed to make any inroads commercially. They re-entered the studio (this time with producer Chris Kimsey) and chose to pursue a direction that would integrate more dance elements into their sound.
When the record was rejected by EMI, Atlantic signed the band, releasing their Wild Wild West set in 1988. The title track, aided by heavy play of the accompanying video on MTV, climbed the charts in the States, topping it that fall and going gold (as did the album.) They managed to notch another Top 40 single with "Shake For The Sheik," and a minor hit with "Walking Through Walls." In 1991, they released Dollars And Sex, opting for a more rock-oriented sound, but the lead single, "Call It Poison", featuring a sample of Deep Purple's Ian Gillan, stalled at #44.
More successful was the next track, "I'll Be There." Written in reaction to the death of a friend's wife, the song built momentum through listener requests and climbed into the Top Ten, earning The Escape Club a second gold single. However, faced with heavy debts despite having two fairly successful records, the members of The Escape Club drifted apart, Christo and Zekavica to pursue other projects, while Steel and Holliday became involved in writing and producing for others. Although they wouldn't record again as The Escape Club, the band remained a known entity as ‘80s revivalists continued to embrace "Wild Wild West" into the new millennium. ~ Tom Demalon, All Music Guide